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“I don’t think you can ever dig too deeply for meaning,” says Dr Alison Waller, Senior Lecturer at the University of Roehampton’s National Centre of Research for Children’s Literature. How else could a 22-page picture book like The Very Hungry Caterpillar yield capitalist, Christian, feminist, Marxist, queer and anti-liberal messages? Could they perhaps be the products of parents so addled by a text that, following their umpteenth nightly recital, the words start acting like one of those magic-eye images? Stare at them long enough and sense will materialise. It’s easy to poke fun at some of these more outlandish readings. (The eponymous little engine is a lady train and when she breaks down, only another female train will stop to help out.) As for The Wonderful Wizard of Oz: why, it’s an allegorical representation of the debate surrounding late 19th Century US monetary policy, of course.
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And what about The Little Engine That Could? You might know it as a story about trains that fosters can-do optimism, but it has also been taken as a you-go-girl feminist tale. Alice’s Wonderland adventures have been seen as everything from a paean to mathematical logic to a satire about the War of the Roses or a trippy caper with drugs as an underlying theme. Similar close readings have rendered the Paddington Bear books fables about immigration and Babar the Elephant an endorsement of French colonialism. How could Dr Seuss’s How the Grinch Stole Christmas be anything other than a parable of consumerism? Why would it not seem blindingly clear that CS Lewis’s The Chronicles of Narnia are in fact a fantastical re-imagining of Christian theology? Revisiting kids’ books in adulthood can yield all sorts of weird and wonderful subtexts, some more obvious than others. While burgers do indeed feature in lip-smacking detail, this time it was clear to me that The Perfect Hamburger is actually a tale of corporate greed and the fate of small businesses forced to compete with big chains. There among them on a shelf was The Perfect Hamburger. He was already the mega-selling author of The No 1 Ladies’ Detective Agency series, but years earlier, he had published a few children’s books. Long after losing track of the book and forgetting its title, I found myself in Edinburgh to interview Alexander McCall Smith. One in particular told the story of a boy who helped save his local burger bar by becoming a gastro-sleuth to track down a lost secret ingredient. As a child many of my favourite books had food as a theme.